I FOUND this séance deeply moving. There was none of this 'knock three times if you're there' stuff. I spent about half an hour quietly meditating beforehand to prepare myself.

I didn't know who I was going to be sitting with, but I knew that I was going to be expected to convince them I had proof I was contacting Diana.

When I walked into the room, I saw three people already there, two men and a woman who looked to be in her late 30s. I greeted each of them and then began to concentrate hard. I couldn't see Diana, but I heard her and could feel her move from person to person as I spoke to them in turn.

PRINCESS DIANA LULLABY

I was drawn first of all to a man I found out later was a musician and composer called Gerard Kenny. I heard Diana say to me 'Ask him about the music', humming a song in the background.

First, I was hearing a name that sounded like Kenneth, and asked if he knew anyone of that name -and he told me what his surname was. I said I felt he worked with music and he admitted he did.

Then I asked him if he'd written something especially for Diana -and he confirmed he'd once written a lullaby for Prince Harry. The next man I turned to, who I later discovered was called James Thurlow. Diana was saying: 'Ask him about the menus, tell him how I always changed it, tell him how I used to laugh about it and make it into a bit of fun.'
He looked astonished when I told him this and admitted he'd worked in the Palace kitchens and would discuss the menus for the day with her. I also said Diana had given him a special menu when he retired, signed by her. He confirmed this.

PRINCESS DIANA'S MESSAGE FOR THE BOYS

I said that when he used to go up to Diana's quarters, it was up an awkward stone spiral staircase. He'd often see her standing there, frying eggs. He'd joke about how he'd cook all this food for her, only for Diana to go up to her room and fry eggs. James confirmed all this. I also told him that the Princes weren't meant to go up the staircase, as it was the servants' entrance, but that they did and used to play marbles on it.
It's the trivial things that most people wouldn't know that build up proof, and there is no doubt that Mr Thurlow was impressed.

When I turned my attention to the lady, Diana showed me pictures of her writing all the time. It turned out that it was Louise Reid-Carr, who was Diana's personal assistant when she died.

Diana showed me the room where Louise used to work and I described to Loulse how she used to stand by the window taking notes. But what clinched it for Louise was when I said that when Diana used to go in to see her, she used to go straight up to her, put her hand in her pocket and say: 'Let's have one of those sweets.'

Chrissie Fitzgerald, who was unknown to me but who gave Diana colonic irrigation. The reading was 20 minutes long but it wasn't until halfway through that I realised I was with Diana because I can mainly hear and sense spirits, rather than see them. I could hear this young woman saying she went to this lady who was with me for 'healing'. She was also talking about a car crash. I asked her if this was Princess Diana and she said it was.

PRINCESS DIANA GIVES PROOF

LOUISE admitted, with a smile, that she always kept a packet of peardrops in her pocket. I could hear Diana saying to me: 'Tell her I want one of her sweets.' The whole mood when Diana made her communication was one of cheerfulness and fun, indicating that she's not in despair. I feel she hoped that by providing the proof that she'd given these people, a message would go to her boys saying that Mummy's happy. That was very much the impression I got when I first got in touch with Diana's spirit about a year after her death.

I'd often do group readings for people in London and went to see a group of seven in Knightsbridge. One of them was

When I asked Diana for proof it was her, she mentioned two small silver and gold pill boxes, blue on top and of Romanov origin, that she'd given Chrissie as a gift. Diana told me the woman also had copies of letters from Elton John and Barbara Cartland in which Diana's name was mentioned.

Afterwards, the woman brought me photocopies of the letters and a photograph of the pill boxes.

I must stress that we didn't do the séances for personal financial gain - we accepted an honorary fee of about $2,000, which we will donate to one of Diana's charities. As a medium, I simply try to give proof of life after death so that other people can move on.
When Diana died, the whole nation wept for her and for their own pain. I hope that revealing these messages from her will give people a chance to move on in their own lives, to know that their own loved ones live on, too.

I still believe it was done with good intent, and the way Diana spoke to me reflected that. Hers was not a message of anger or revenge, but one of affection and love.